#but this is about blender

[sage-is-in-fact-very-tired]

the neurodivergent urge to learn everything ever art related

[milesofstars]

dont worry about it jason...

[normal-about-the-dca]

They're just bobbing there.... MENACINGLY!

[blehhblep]

[buglaur]

the farmhouse kitchen 🌱🍎

:D!!

[kcamberart]

Wooper | tetsuya koizumi

[shadow0-1]

First meet

[st-hedge]

*wheezing and heaving* *shoves metal gear solid and nier automata into a blender* *slams the shitass smoothie into pint glass* *hysterically throws it back* i finished the line up. im at peace now

[katabay]

WOW this has been ROUGH in the Life Events category of things, but. slowly crawling out of that. hopefully

this was the opening scene for a something I started writing after watching the Manben inverview with Nishi Keiko and thinking back to all the classic shoujo manga I stayed up reading back in the day, like damn that's so true Urasawa Naoki

it's partially a love letter to all the greats of the genre that I read, and also to the late night teleseryses that captivated me over the years lmao. it'd be nice to find the time to tackle it properly as a comic, but I'm having fun working on it recreationally :)

✨but since it's recreational, some character info✨

the first character seen is lawrence 'law' valenciano (late 30s), the one with the glasses is cris volante (mid-later 20s). law works at a karinderya, cris is an extremely broke university student.

⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app / insta / tip jar!

[cycloneslash]

Somewhere in Lust

I made this for a 3d modeling assignment. V2 wasn't supposed to be here, but I added them in for funsies :p

[vivitalks]

ned chicane is sooo character. he's a skilled burglar but he's broke, he's a sensationalist and a cryptozoologist, he's a pathological liar who's just as persuasive when he's telling the truth as not, he refuses to harm a fellow human being, he runs a terrible and weirdly popular late-night TV show, he constantly tries to protect a town that does not return the favor, he is canonically in possession of george clooney's oscar, he's a self-declared coward who will always put himself in harm's way if it means protecting his friends, he has multiple fake IDs and passports and no one knows his legal name, he's the smartest dumbass you've ever met, he takes a bullet for dani as penance because hurting aubrey was his greatest regret even before they knew each other and he can't hurt her again, he can't let anyone get hurt again, he will not let someone else die because of him. he will not.

[teaboot]

if ur a murderbot nerd now do u have any fun opinions abt it yet?

Oh my goddd you have no idea

I really, really, really like Murderbot because it comes at life with this perspective we don't often see that is very real among people who have already been through traumatic experiences, who developed skills and abilities to suvive that were once useful but no longer have context- that search that traumatized people go through to recalibrate and reorient ourselves in a world where we no longer really need those things to survive.

A bit personal here, but my own issues personally involved a lot of psychological abuse that made it difficult to trust my own perceptions of reality, and as a result I found I was very easy to lie to and manipulate.

To handle this, I became obsessive over writing things down, cataloging details and making notes of things as they happened- I'd carry recording devices and make audio recordings and stay up late at night to transcribe what they'd picked up, read those over and over again to reassure myself of things I wasn't certain about.

While doing this, there were others close to me that I felt responsible for, who I had to protect from others and protect myself from at the same time. Life was about two things: Evidence, and defusing threats

Over time, I learned to trust myself as my memories matched what had been recorded where their narrative didn't, but I never really kicked the habit. Like Murderbot, I had added something to my own programming that reassured me I was safe, that I was in control of myself, that I couldn't be mistaken or crazy or broken or used.

I'm only on book two, but already I see myself in Murderbot again. No spoilers here, but when I left home- left that dangerous context- I didn't need to repeat these patterns to survive anymore, but I still did, because I didn't know anything else anymore. It felt safe, comfortable, knowing knowing that the past couldn't repeat itself, because I'd written that flaw- blind trust in myself-  out of my programming and replaced it with something else.

Still, though, I'd become something specially suited to thrive in a very specific environment. Nothing else felt right like followinghigh-risk situations, like witnessing and watching and recording and knowing I had proof of the truth where others might not.

People took notice. I wound up in security by accident, but's an environment that I thrive in due to the same patterns and behaviours I originally developed when I had no other choice. I climbed the ladder pretty quickly, once supervisors caught on that my reports were the most accurate, most objective, most factual, detail-oriented and timely. I keep others and myself safe and prioritize public safety above all else, and I perform well under pressure

Now I'm in a position where I often wonder, do I enjoy this job, or is it just what I'm good at? I have a set of skills now, but do I have the option of choosing not to use them? What would I be, if not this? Could I be anything else? Can Murderbot be anything else?

It has a set of skills that set it apart, make it different, special. It does what it knows best. But is it free? Does it want to be? What does it want? Does it have to do what it was built to do? What if it didn't?

I know what I'm good for. The idea of deliberately leaving what I'm good for for something uncertain, that I might hate, that I might be useless at- the choice to give up what was so important to me for so long and become deliberately obsolete?

Let go of my entire purpose? The only thing I know, that I fit so well into but don't actually know if I enjoy? Now that I can choose? Now that enjoyment is a luxury I can afford to consider?

Yeah, that resonates.

I like the Murderbot series so far because it feels the way I feel: Like the most significant and formative part of my story, the part where I became what I am, has already happened

And now I have to just. Keep going

Into... what?

It feels absurd. Like a microwave giving up on reheating food and deciding to start a life around abstract dance.

So, uh. Yeah. It's really very wild to see this same philosophical-ish dilemma I've been digging over in the back of my mind and in therapy for the last forever laid out so plainly in a genuinely exciting and enjoyable story like this. I feel much less alone, and I... kind of really need to see how it resolves, I think.

So, uh. Yeah. Read Murderbot, I guess

[lygma-nygma]

Honest to god Titans Tower is probably the funniest thing that's ever happened in comics to me? Like, there's so much to unpack here it's insane?? The tear-away stripper Red Hood costume? The knock-off Robin costume with the stupid ass yellow tights that somehow looks worse than if Jason just rocked the bare thighs? The way Jason is drawn like he is fully 35 with two stepkids and a mortgage? Jason inventing fanfiction about Tim and Bruce's relationship in his head because he refuses to believe Tim actually stalked his way into being Robin?? Trying to mimic his crowbar death by beating Tim with his own staff but I as a reader am entirely unable to take it seriously because of those stupid fucking tights-

And then you get to Tim's side of things and he says like, all of 5 things the entire time and three of them are a coded 'fuck you'. He has absolutely no time or respect for Jason's pity party and it's actually hysterical because Jason cannot stop yapping. Meanwhile, Tim is like, definitely losing the fight which makes it funnier?? Then the ending?? Jason scrawling "Jason Todd was here" on the wall in blood (or red paint meant to look like blood, up in the air) and signing it with a handprint like he's a middle schooler who just discovered Creepypasta???? Ripping the 'R' off Tim's costume when he's literally already unconscious?? Zipping away from the scene thinking "damn I actually like that kid, wish I had friends tbh"??

And then it's literally never brought up again.

[redbayly]

Zutara headcanon #35594

When he realized that Katara didn't have any sort of image of her mother (as the Water Tribe isn't really known for its paintings), Zuko hired the most talented portrait painter in the Fire Nation and then consulted with Hakoda and Gran-Gran for as many details as possible in order to commission a life-size painting of Kya to give to Katara.

The painting was so beautiful and so true to life that Katara almost thought her mother was about to step out of the canvas. It became one of her most cherished possessions.

Many decades later, after Katara passed away, the painting was considered a masterpiece and placed in the Southern Water Tribe cultural heritage center and museum. It is the most beloved work in the gallery and remains a symbol for many Water Tribe and Fire Nation people of love, courage, and kindness.

[9ffairs]

[marragurl]

The idea just hit me: Ratio’s students are called his ducklings 

He’s fully aware of it and makes no move to stop it from spreading around campus. 

Being considered one of Ratio’s ducklings is kinda a big deal because those are the students who are willing to put in the effort and work to keep up with Ratio’s teaching style. 

They are both terrified of him and respect him so much that all the other students are in turn terrified of them. And while the ducklings don’t get any special treatment from Ratio, there’s something special and comforting about being part of the group of students who are willing to stick with Dr. Ratio’s coursework. 

This is how I see it happening: 

It started during Ratio’s first few years of teaching. Not his first year because I fully believe his first few classes were really controversial and had a lot of dropouts once his personality and harsh teaching style were made known. 

It took a while but after a few years, there’s finally a class with no drop outs, even if it’s super small. However, this class are also the students who are dedicated and truly want to learn and refuse to quit even with Ratio’s standards. 

(They still complain and cry of course, the student life is all about pain- no this is not me projecting as a uni student, I’m perfectly sane I promise-)

And of course, like any other student who needs to understand wtf is going on in class, his students do everything in their power to create study groups and attend his office hours, which are 100x scarier in the beginning since that’s prime one-on-one time with Dr. Ratio. 

At least in lecture the man is a hundred seats away from you. Here, he’s speaking directly to your face as he explains just how wrong you are and giving advice on how to fix that. 

At first, due to how unused to Ratio is from having a class of students who are truly trying to keep up with him (whether they’re succeeding is up to interpretation), he only spends time with them during lecture and office hours for the first few weeks. 

And then it spirals.

Around campus, you begin to see the esteemed Dr. Ratio being followed by a gaggle of students tripping  over each other, constantly asking question after question and him answering each one. Even as he’s being blunt, he never looks like he’s trying to outrun them, and even stops occasionally to write in one of the student’s notes.  

The ducklings nickname started out as a joke when someone made the connection of his students following him like baby ducks after lectures, and spiraled a bit more when one of the students found one of his rubber ducks in his office.

And so after finals, that first class of students got together for a nice drinking party to celebrate their freedom. A few drinks in of reminiscing about the class and how they’ll actually kinda miss Dr. Ratio, someone made a joke of buying some rubber ducks for the good doctor. Continuing on the high, an entire gaggle of drunk uni students just pull up to a craft store at 3am and start hunting for ducks. Another brilliant student laughs at the idea of personalizing each duck, and the rest of the class find the idea so funny that they buy out an entire aisle of craft supplies and get to work.

The next day, hungover but still committed to the bit, the entire class show up to Ratio’s office and each hand him a personalized rubber duck along with a terrified thank you for the class. 

Ratio would give his usual denying spiel of how “it is unnecessary” and “your education is all the reward a professor could want” but this is his first ever class with no dropouts and who all managed to pass their finals. 

The man is a failure at not caring, he is crying on the inside.

So he keeps the ducks on a shelf in his office. 

Somehow, the duckling nickname just cements itself after that day, and each class afterwards, despite all the pain and grumbling of the students, are always referred to as Ratio’s ducklings because only the truly insane (dedicated) stick it out and follow after him. 

And after each final, his little ducklings always give him their own personalized rubber duck that he continues to add to his shelf that he always had within eyesight of his desk. 

(the first class of ducklings are his personal favorite, though he’ll never claim to have any)

I’m incapable of not adding Aventurine whenever I talk about Ratio nowadays, I just have to accept that I love them both too much now. 

But yea, I like to imagine Aventurine finding out about the ducklings nickname first and teasing Ratio about actually having a heart and caring, which Ratio just denies and tries to justify as him being an attentive professor. But then Aventurine finds the rubber duck shelf and it’s just too sentimental for him to even think about joking. 

Adding to my headcanon of Aventurine being really curious about different subjects, I imagine that when he gets comfortable, he constantly asks Ratio questions about anything and everything. Ratio happily replies and teaches him. 

I like to think that one day, Aventurine would make his own personalized rubber duck to gift to Ratio as a 'thank you' for always indulging him with his questions and that rubber duck just becomes Ratio’s favorite. He gives it a little podium in his house and office and he constantly carries it around with him. He has photos of the damn thing. His first class find out about the duck and needle him about having ‘no favorites’ which he denies. Aventurine finds it both embarrassing and really cute. 

(I’m kinda pulling from my own experience with one of my old professors. She was terrifying but by god did I actually learn during her class. Every one of us would complain for hours about her exams, and boy were the averages terrible, but we were all also deeply committed to attending every office hour and defending her against the other students. It was like ‘She’s a harsh and insane professor, but she’s our harsh and insane professor.’ Everyone knew you were serious if you chose to take her class instead of other professors for the same course, she was that infamous. If I take 5 seconds to psychoanalyze myself without getting depressed, maybe that’s why I really like Ratio - outside of the burnt-out gifted child thing with emotional expression issues that also hit way too close to home. He just really reminds me of one of my own professors that I still really respect to this day)